ECK ECHO – CUATRO SUYOS
S/95.00
LABEL: ECK ECHO RECORDS
VINYL 12″ 45RPM
Disponible: Agotado
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SUN RA – THUNDER OF THE GODS SMOKY RED
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A new Sun Ra LP touches ground in the earthly bins, 50 years after its creation! Sun Ra is still trying to get our attention 50 years after dispatching this transmission. Humanitys path since then makes his message even more urgent today. Years after Herman Poole LeSonyr Ra Blount left the planet hes still trying to reach us, to wake us up and to change our destiny. Sun Ra and the Arkestra werent a traditional studio band, and every star in the vast galaxy of their discography reflects this. The origins of these records can be hard to pinpoint at times, but when it comes to Thunder Of The Gods, its a bit easier. Calling Planet Earth We’ll Wait For You was discovered on tapes from Ras, Universe In Blue, believed to be recorded in 71. The raucous title track and Moonshots Across the Sky are unearthed from the 66 Strange Strings sessions. Modern Harmonic has once again paired Ras sonic art with the visual art of The Father of Modern Space Art, Chesley Bonestell, whose 1952 work Formation of the Earths Continents spralls across the front and back covers.
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JOHN CAGE WITH DAVID TUDOR – VARIATIONS IV
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It could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition “4’33,”” which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed in the 60s and 70s as a leading light in avant-garde music and as an entertainingly weird guy who used radios, televisions, live dancers and his own Adam’s apple as instruments in his live performances. Cage’s music blurred the line between music, performance art and visual art in a way that no other composer has before or since.
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SUN RA – ASTRO BLACK
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The title track was a vehicle for Arkestral vocalist June Tyson, who had been with the band since 1967 and was in absolute peak form in 1972. Meanwhile, Ronnie Boykins, who had been Sunny’s full-time bassist from 1957 through 1968, was a welcome guest on this occasion. It is his ostinato that holds the theme statement together, and his arco that guides and accompanies Sunny on his space wandering, where they are joined by Akh Tal Ebah on trumpet, and by the ecstatically interweaving alto saxes of Marshall Allen and Danny Davis. A trio of wriggling alto (Danny Davis), mini-Moog synthesizers, and high bowed bass develops, with Sunny and Ronnie accompanying Tyson’s hushed recapitulation. This is one of the Arkestra’s greatest performances.
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