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ZIGGY STARDUST AND THE SPIDERS FROM MARS – THE MOTION PICTURE SOUNDTRACK
S/165.00Vinyl LP
He events of July 3, 1973 at London’s Hammersmith Odeon made rock and roll history: David Bowie retired Ziggy Stardust! His final concert appearance as Ziggy was the 60th of 40 dates (matinees included) and the last of the planned UK Ziggy Stardust gigs. It has famously become known as “The Retirement Gig.” The two Hammersmith Odeon concerts (July 2nd and 3rd) were designed to take the place of a cancelled second show at Earl’s Court. By July 1973, Bowie had been touring and promoting his album for nearly a year without a break. The original plan was for a Ziggy Stardust tour of Europe to follow the third UK Tour, then a third US Tour with 38 confirmed concerts beginning on September 1, 1973 and ending on the 31st October 31, 1973 in Texas. The retirement announcement at the end of the concert came as a major shock…to fans, the majority of the music press, and the Spiders From Mars themselves. It later transpired that Bowie had only told his manager and Mick Ronson of his plans to retire Ziggy Stardust.
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- Introduction
- Hang on to Yourself (Live)
- Ziggy Stardust (Live)
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CHAVIN
S/199.00Título: Chavín
Editor: Peter Fux
Editorial: MALI
Colaboradores: Peter Fux, Luis Guillermo Lumbreras, Tom D. Dillehay, Markus Reindel, Johny Isla, Yoshio Onuki, Ignacio Alva Meneses, Peter Fuchs, Renate Patzschke, Peter Kaulicke, Christian Mesía, Henning Bischof, John W. Rick y Walter Alva.
Editorial: Museo de Arte de Lima – MALI
Año de publicación: 2015
Número de páginas: 412
ISBN: 978-9972-718-44-1
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SUN RA – ASTRO BLACK
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Sello: Modern Harmonic
The title track was a vehicle for Arkestral vocalist June Tyson, who had been with the band since 1967 and was in absolute peak form in 1972. Meanwhile, Ronnie Boykins, who had been Sunny’s full-time bassist from 1957 through 1968, was a welcome guest on this occasion. It is his ostinato that holds the theme statement together, and his arco that guides and accompanies Sunny on his space wandering, where they are joined by Akh Tal Ebah on trumpet, and by the ecstatically interweaving alto saxes of Marshall Allen and Danny Davis. A trio of wriggling alto (Danny Davis), mini-Moog synthesizers, and high bowed bass develops, with Sunny and Ronnie accompanying Tyson’s hushed recapitulation. This is one of the Arkestra’s greatest performances.
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