PREFUSE 73 – SECURITY SCREENINGS
S/94.00
Vinyl LP
Tracklist
- The Letter: “P”
- With Dirt And Two Texts – Afternoon Version
- Illiterate Interlude
- Keeping Up With Your Quota
- No Special Bed
- Weight Watching
- When The Grip Lets You Go
- Another One Long Gone
- Always It’s Gonna Be Like That
- Creating Cyclical Headaches
- Awakening To A…..
- With Dirt And Two Texts – Later Version With Love
- No Origin
- One Star And Three Stripes
- Mud In Your Mouth
- Breathe
- Matrimonioids
- We Leave You In A Cloud Of Thick Smoke And Sleep Outro
- Alternate Hidden Outro
Disponible: Agotado
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S/124.00Vinyl LP
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CHAVIN
S/199.00Título: Chavín
Editor: Peter Fux
Editorial: MALI
Colaboradores: Peter Fux, Luis Guillermo Lumbreras, Tom D. Dillehay, Markus Reindel, Johny Isla, Yoshio Onuki, Ignacio Alva Meneses, Peter Fuchs, Renate Patzschke, Peter Kaulicke, Christian Mesía, Henning Bischof, John W. Rick y Walter Alva.
Editorial: Museo de Arte de Lima – MALI
Año de publicación: 2015
Número de páginas: 412
ISBN: 978-9972-718-44-1
Medidas: 28.5 x 21.5 cm. -
BARETO – CUMBIA
S/100.00Vinyl LP
AÑO: 2019
PAÍS: Perú
GÉNERO: Cumbia / Chicha
DESCRIPCIÓN: 1 LP
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- Vacilando Con Ayahuasca
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Sello: Modern Harmonic
The title track was a vehicle for Arkestral vocalist June Tyson, who had been with the band since 1967 and was in absolute peak form in 1972. Meanwhile, Ronnie Boykins, who had been Sunny’s full-time bassist from 1957 through 1968, was a welcome guest on this occasion. It is his ostinato that holds the theme statement together, and his arco that guides and accompanies Sunny on his space wandering, where they are joined by Akh Tal Ebah on trumpet, and by the ecstatically interweaving alto saxes of Marshall Allen and Danny Davis. A trio of wriggling alto (Danny Davis), mini-Moog synthesizers, and high bowed bass develops, with Sunny and Ronnie accompanying Tyson’s hushed recapitulation. This is one of the Arkestra’s greatest performances.
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S/190.63Vinyl LP
Sello: Modern Harmonic
It could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition “4’33,”” which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed in the 60s and 70s as a leading light in avant-garde music and as an entertainingly weird guy who used radios, televisions, live dancers and his own Adam’s apple as instruments in his live performances. Cage’s music blurred the line between music, performance art and visual art in a way that no other composer has before or since.
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Heavy post-rockers Vago Sagrado set a peaceful atmosphere with “K is Kool,” the opening track of their third album, Vol. III, that is hard to resist. They’ll soon enough pump in contrast via the foreboding low end of “La Pieza Oscura,” but the feeling of purposeful drift in the guitar remains resonant, even as the drums and vocals take on a kind of punkish feel. The mix is one that the Chilean three-piece seem to delight in, reveling in tonal adventurousness in the quiet/loud tradeoff of “Fire (In Your Head)” and the New Wave shuffle of “Sundown” before “Centinela” kicks off side B with the kind of groove that Queens of the Stone Age fans have been missing for the last 15 years. Things get far out in “Listen & Obey,” but Vago Sagrado never completely lose their sense of direction, and that only makes the proceedings more engaging as the hypnotic “One More Time with Feeling” leads into the nine-minute closer “Mekong,” wherein the wash teased all along comes to fruition.
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